Reinis Mūrnieks

Plate Gallery

Theatrum Mundi

One face, twelve registrations. An archive of treatments applied to a single portrait — each plate a different way of studying the same stillness.

Plate 01 — Figura / prima

Pl.01

Figura / prima

The first registration. The portrait as it stands — untreated, monochrome, present.

Plate 02 — Umbra / inversa

Pl.02

Umbra / inversa

Shadow inverted. Light becomes dark, dark becomes light; the face reads in negative.

Plate 03 — Puncta / halftone

Pl.03

Puncta / halftone

Reduced to dots of ink. Tone survives only as the density of a thousand small marks.

Plate 04 — Lineae / scan

Pl.04

Lineae / scan

Measured line by line, like a signal passing through a machine that records faces.

Plate 05 — Lux / solaris

Pl.05

Lux / solaris

Exposed past its threshold. Highlights burn away until only structure remains.

Plate 06 — Contour / studium

Pl.06

Contour / studium

A study of edges alone — the drawing hidden inside the photograph.

Plate 07 — Accentus / calor

Pl.07

Accentus / calor

The single warm note in the archive: dim theatre worklight held against the grey.

Plate 08 — Fragmentum / I

Pl.08

Fragmentum / I

A fragment, enlarged. Seen too closely, the portrait becomes landscape.

Plate 09 — Fragmentum / II

Pl.09

Fragmentum / II

The second fragment, inverted. Detail as evidence, registered without comment.

Plate 10 — Nebula / focus

Pl.10

Nebula / focus

Thrown out of focus. Presence without sharpness — the memory of a face.

Plate 11 — Scala / poster

Pl.11

Scala / poster

The grey scale collapsed to two tones. Every mid-value forced to choose a side.

Plate 12 — Echo / gemina

Pl.12

Echo / gemina

Twin exposures blended — the face and its negative, rehearsing the same stillness.